Draw

Recently I started to go to an art class, as a member and not as a teacher. It is wonderful. Not only are the people running it wonderfully easy and friendly, open to you creating your own masterpiece instead of drawing their set-up; but the class members are as easy to be in a room with, as a warm fire and your favourite slippers. I love it.

There was a moment in the room recently, where everyone was focused on drawing some Autumn vegetables. After a hub hub of friendly chat, a slow quiet descended in the village hall. Marks were heard softly being etched and traced over paper as curves and leaves of different shaped forms were followed gently by twenty pairs of hands and eyes. It was so still. there was no noise, verbal or otherwise. It was a no space.

The silence was magical. I’ve thought about it a lot since and it was I believe it was a perfect combination of feeling comfortable, feeling unjudged, letting go and trust.

Drawing does something to and for us.  When we look, we connect. As simple as that. If we can find a space to feel at ease to do that, it provides a magical harmony between us and the qualities of the object we are celebrating.

You don’t have to be good at drawing to make that happen either, and if you try too hard to find it, you may be missing the point. The point is, not to try. The point is to be, to look, to feel and to get rid of the constant babble chat and judgement.

The end results are not the point. The journey to get there is the crucial reason for picking up your tools.

It doesn’t have to be drawing.. As a very keen and recent amateur gardener, I can safely say that the same thing happens at certain moments when  your hands are in  soil , the sun is on your face and there is no such thing as  clock watching . Planting the seeds of an idea in whatever form you wish is still as magical..

How to get the most out of your drawing

We all have methods we like and don’t like in art. The only way to know what you want as your style is to try many of them out and get to know what your style is.

Drawing is the key to everything. Looking at things around us us to get to know the things we see every day that little bit better. Like unlocking the secrets they were holding all along. Be your own personal camera.

Keep it simple to begin with. Be comfortable. Alawys be comfortable. Whatever that mean to you. take off your shoes, sit on a cushion, sit on a bench. lie on a mat, play music.. My favourite thing to do is to listen to stories while I draw. This takes your naughty and argumentative left brain away from mocking your efforts and leaves your right brain to relax into creating..

Be warm. Especially if like me, your joints are bad. Use your own set of pain criteria to establish your methodolgy. For example, I love detail, but it is soooo painful to do, so I can only draw like that every so often, meaning my style has evolved with my body. No point crying over split milk. I’m never going to do the splits either so I may just enjoy what I can do…

Look at what you  are drawing. Not at your paper. Sounds silly, but how can you draw something you are imagining? Do you already know where the light falls on that shell? Where the tiny dots get smaller creating a rhthym to the shape? So look. Paper won’t go anywhere, but just in case, you can wedge it with an elbow.

Begin really softly…….Sketch with a soft pencil. 2B or 4B.  They are easier to work with and you can make shadows, rub out and create flow.

Make easy loose marks to start.

Then as you start to work the shape, feeling the weight of your object, use different tones to show how much shadow is in one area compared to another. The darkest being under and in between . Press hard, light, loose and vary your pencil marks.

Your line should start to feel like a natural progression of your eyes looking or your fingers touching the object. Vary the weight of the line you draw to convey a natural mark with depth of shadow within it as you draw.

Keep building both these techniques adding colour/ a wash of watercolour or another tone to define and contrast, or use your sketch as a start for a piece of artwork.

The point is that it meant to be relaxing. It doesn’t matter the tiniest bit if it doesn’t resemble the object.

Do you know how many sketchbooks I’ve ripped up and rearranged? How many times I’ve started over? Keep your ideas, drawings, studies, and rework them into scraps for collage and tester pieces for other ideas.

Never think that anyone else has the secret you don’t .

Enjoy the journey and others on it. Where you get to next …. is anyone’s guess.

Here’s to your creative future.

Love from your creative inner monster…

And me xxx