Draw

Recently I started to go to an art class, as a member and not as a teacher. It is wonderful. Not only are the people running it wonderfully easy and friendly, open to you creating your own masterpiece instead of drawing their set-up; but the class members are as easy to be in a room with, as a warm fire and your favourite slippers. I love it.

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There was a moment in the room recently, where everyone was focused on drawing some Autumn vegetables. After a hub hub of friendly chat, a slow quiet descended in the village hall. Marks were heard softly being etched and traced over paper as curves and leaves of different shaped forms were followed gently by twenty pairs of hands and eyes. It was so still. there was no noise, verbal or otherwise. It was a no space.

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The silence was magical. I’ve thought about it a lot since and it was I believe it was a perfect combination of feeling comfortable, feeling unjudged, letting go and trust.

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Drawing does something to and for us.  When we look, we connect. As simple as that. If we can find a space to feel at ease to do that, it provides a magical harmony between us and the qualities of the object we are celebrating.

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You don’t have to be good at drawing to make that happen either, and if you try too hard to find it, you may be missing the point. The point is, not to try. The point is to be, to look, to feel and to get rid of the constant babble chat and judgement.

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The end results are not the point. The journey to get there is the crucial reason for picking up your tools.

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It doesn’t have to be drawing.. Image result for gardening toolsAs a very keen and recent amateur gardener, I can safely say that the same thing happens at certain moments when  your hands are in  soil , the sun is on your face and there is no such thing as  clock watching . Planting the seeds of an idea in whatever form you wish is still as magical..

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How to get the most out of your drawing

We all have methods we like and don’t like in art. The only way to know what you want as your style is to try many of them out and get to know what your style is.

Drawing is the key to everything. Looking at things around us us to get to know the things we see every day that little bit better. Like unlocking the secrets they were holding all along. Be your own personal camera.

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Keep it simple to begin with. Be comfortable. Alawys be comfortable. Whatever that mean to you. take off your shoes, sit on a cushion, sit on a bench. lie on a mat, play music.. My favourite thing to do is to listen to stories while I draw. This takes your naughty and argumentative left brain away from mocking your efforts and leaves your right brain to relax into creating..

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Be warm. Especially if like me, your joints are bad. Use your own set of pain criteria to establish your methodolgy. For example, I love detail, but it is soooo painful to do, so I can only draw like that every so often, meaning my style has evolved with my body. No point crying over split milk. I’m never going to do the splits either so I may just enjoy what I can do…

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Look at what you  are drawing. Not at your paper. Sounds silly, but how can you draw something you are imagining? Do you already know where the light falls on that shell? Where the tiny dots get smaller creating a rhthym to the shape? So look. Paper won’t go anywhere, but just in case, you can wedge it with an elbow.

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Begin really softly…….Sketch with a soft pencil. 2B or 4B.  They are easier to work with and you can make shadows, rub out and create flow.

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Make easy loose marks to start.Image result for loose drawing marks

Then as you start to work the shape, feeling the weight of your object, use different tones to show how much shadow is in one area compared to another. The darkest being under and in between . Press hard, light, loose and vary your pencil marks.

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Your line should start to feel like a natural progression of your eyes looking or your fingers touching the object. Vary the weight of the line you draw to convey a natural mark with depth of shadow within it as you draw.

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Keep building both these techniques adding colour/ a wash of watercolour or another tone to define and contrast, or use your sketch as a start for a piece of artwork.

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The point is that it meant to be relaxing. It doesn’t matter the tiniest bit if it doesn’t resemble the object.

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Do you know how many sketchbooks I’ve ripped up and rearranged? How many times I’ve started over? Keep your ideas, drawings, studies, and rework them into scraps for collage and tester pieces for other ideas.

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Never think that anyone else has the secret you don’t .

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Enjoy the journey and others on it. Where you get to next …. is anyone’s guess.

Here’s to your creative future.

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Love from your creative inner monster…

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And me xxx

 

 

 

 

 

The Blank Page

 

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I’ll let you into a secret.. Blank canvas syndrome is an actual thing. Stalling at the moment of creative freedom is the hurdle of almost anyone who ever picks up a brush or a pencil. We imagine ourselves unable to do this massively hard thing which encompasses our genius in one monumental piece of art. Over and over again.

We stand enraged at ourselves for being rubbish before we we even start

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And then more often than not we don’t bother at all, because the fear of the creating bit is too big and too scary.

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There are too many choices

I have noticed this human tendency in many situations, presented with a wobbly, new or challenging step in our lives, we revert to our most vulnerable, smallest sense of self. Some people can overcome this through having had positive childhood  or life experiences,  conditioning from supportive friends and especially from family . But let’s face it, for most of us, there have been enormous gaps in our well-being feedback, in relation to most aspects of anything we put out there, on show to the world…

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If we can hide we often do

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We can lose confidence and momentum as easily as we gain it, because humans want to believe their flaws out weigh their fantastic qualities.

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Standing on the precipice of a chapter can be mind-blowing.Image result for standing on the edge

I know this to be true. You can fool yourself into believing there will be nothing there to fill the void.. you know nothing about his new thing yet, so how can you trust it? you will never reach the level of comfort you had before.. so best maybe to do what you always did.. and stay where you were ..oh so comfortable….

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and the magic and experiences waiting for you can never be.

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Life isn’t a straight line though,  like a bus chugging through the things we do, forgettable and then starting over again tomorrow. Your skills and wisdom back-back gets fuller as you go,  and you will only ever ripen in yer old age.. It doesn’t matter what your fears are.  Moving out of a loveless home, leaving a job, starting a new group or an activity you dreamed of doing when you were a kid.. If you need to do it from the bottom of your boots.. then the layers you have grown over your heart will turn slowly into your new jet pack.. and give you wings..Image result for flying person

Each day,  and situation isn’t a blank canvas .

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We are an accumulation of all that we have ever done so far.

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A million moments we either choose to remember, celebrate or let pass by..

Each one slowly feeds us and our mind absorbs the important bits , inspiring future ideas;  the big, important, or small, perfectly formed thoughts..the trick is to find your connection with what makes your hear sing;

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When we look for inspiration, or start a new artwork or project, we can be overwhelmed with self doubt .And we do the same with our own self image. We look at what we see in the mirror as less than perfect, swamping the whole picture , to reinvent ourselves once more and catch something new, which perfectly represents our ultimate ‘self.’

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Only , that particular fairy has wings. You’ll not catch her. She is a million fractured images at once, absorbed from past memories, experiences, joys and pain and can only ever be fleeting..  All you can do is be grateful for a good photograph occasionally, and smile as much as possible.. because it is the least aging facial contortion!

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As some-one who has been recently forced to look at  pictures of themselves less able  than they were, and not even know how lucky I was at the time, please take it from me that focusing on the perfections of what you look like NOW is so so so not important. It is about getting to know who you are this minute and to like them, trust your own brand of creativity without judgement, both in the mirror and on your canvas.

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Sometimes the more perfect we are the less we know ourselves..The more layers we apply to our guarded hesitant approach , the further away from freedom we have.

Enjoy your face but it’s what you do with it next that counts…

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Last week my daughter and I went to see Mama Mia at the Maltings in Berwick. We sat in the disabled bay with a man in a wheelchair. On paper tell me how fun that sounds?Image result for line of jelly babies

Well stop. Let me tell you, that between us, the lovely stewards (a very sweet couple) and a bag of jelly babies .. we probably had more fun than anyone in the cinema. Nobody cared we were singing and laughing out loud and we watched the film directly from the heart instead of from the perception of how it would look to others if we made a fool of ourselves. It was magical, memorable and we made three new friends.

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It is possible to enjoy yourself..

A surface of many types is just the beginning. Step one. The beginning of a chapter or an adventure. It is meant by its nature to be weathered and roughed up a bit, textured and aged until it’s true nature appears. If we know this we can see past the fear of the blank, because the joy of the process of seeking it out is part of the fun.

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 Let the magic happen.

And if it is your canvas giving you blank stares.. do one of the following;

How to Texture Your Painting surface

1 Cover the surface with pa and water, then tissue paper and then more p.v.a, flattening gently as you go with more gluey gloop and a big brush .

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2 Scrape a layer of texture onto your canvas,  using acrylic paints in either a rough approximation of your finished colour scheme or an opposite one ( complimentary colours can peep through your final work and look very effective.Image result for acrylic underlayer  on canvas

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3 Scrape on paint or an acrylic medium, or paint with a texture by adding sand .. then scratch into it with a card edge, tooth pick or press into your surface with bubble wrap or lace.

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4 Fill your surface with pattern and image from magazine cuttings,  in the same way as Idea 1, make sure they are nice and flat to work on. To make this slightly easier when you paint on top you can always glaze over with a very watery white acrylic wash 50% water/50% acrylic.

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5 After priming with a basic colour, draw on your canvas without looking directly at it. Do it with a really loose paint mix with a long brush or a stick with an oil pastel attached to the end. keep you marks really fluid and loose , enjoying the flow and rhythm of your idea without the constraints  of your four canvas sides.
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6 And when you start painting or applying your actual layers, don’t tighten up too much initially.. Try adding your detail with more tissue, or add torn -up older cast off artwork as an under-layer..

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The recipe for good things  takes time. Often we look at a person and their creations and think they appeared fully formed and gorgeous out of nowhere.. as if by magic. My guess is that they too have stood in new shoes..

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You wouldn’t plonk on beautiful make up without prepping your skin first .. to make it last, attach itself and shine out.  And the best faces, rooms, stories, canvases and relationships are built upon over time and with experience and wisdom . Trust what you know no matter what or who anyone else imagines you are.

 Artwork works when there is a  depth, texture and a hint of what has brought you to its creation.  Just please don’t confuse your surfaces.

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Its quite hard to eat your tea if your face is covered in magazine cuttings.

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Fill in the the blanks with your fabulous selves..

Love Liz xxx

 

 

 

 

 

 

 

 

 

 

 

 

 

What are we doing?

There are lots of types of Art. But even more types of Artists. As most people won’t be written about in a hundred years for their brush dexterity, what is the point of getting in a tangle. You don’t have to be good at anything in particular or do everything at once, but what is a great shame, is the fear of ever trying….

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Whenever I tell someone I teach Art, most people tell me a story.. usually this begins, ‘I was rubbish at Art at school, my art teacher hated me…….

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Or a well meaning parent told you , that it wasn’t your strongest subject and not as important as Science/Maths/English …(substitute your own literal equivalent obviously… so you should probably just give it up… And most people do….

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They say that that your blue-print of an artistic confidence is pencilled-in around six.

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And that because we learn/don’t unlearn the basics then, or free ourselves from the tyranny of the criticism we felt then , we continue to stay there.. creatively…..hearing our judges for evermore…..

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That’s where getting brave comes in..

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Finding a way to watch something develop and exist, without fear of what the outcome will be, or how it compares to anyone else’s is a gift. If you can find a like minded group in a space which builds confidence and enable makers with different needs to develop…stay there!

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My Art over the last couple of years has included a little bit of everything!!! I have thoroughly enjoyed this process, after years of the curricular patterns in the teaching of secondary education, and our stash of accumulated resources is ever growing and developing ( in the back shed.. for now, but hopefully not for ever)

 

Our story began with the small people.. the ones who really know how to create… the ones who know how to use their sparkly super powers to full advantage..

 

To see our updates for community artwork, go to Image result for facebook logo lizatcreate… (These classes depend on funding as mobility issues require helpers and proper art spaces)

And for the grown ups- For five years, we have endeavoured to keep the ball rolling with self funding classes for a range of needs and groups, if and when we are able.

 

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The aim of continuing to bring Art to as many people as we can, is to show that you can still be thoroughly marvellous despite your wonky bits and on tired days and sore days. Especially if your teacher is feeling the same way. And we will continue to try and fund- raise to maintain this for as many people as possible. Please let us know if you can help in any way.

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And what about me? 

My friend whose husband is an artist, said he asked her the other day, if I ever did any Art.. He’s got a point.. I do spend an awful lot of time doing things for and with other people.. a balance I will slowly swing back a little, now we are more settled here.. But here.. For Colm..

 

I have a few bits up my sleeve which are more detailed.. if I can get my hands to work long enough.

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And like the work we did with Dalkeith Arts.. the more our community can do to support the Arts and crafts for those who need it it to stay well.. the better..

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Image result for facebook logo   Sea me- Vintage seaside ideas.

 

This is my latest little project.. for us nostalgic types..

Sea me will be our new community group name. And under the umbrella of Liz at The beach Hut, will be a lively and productive Community Arts Organisation, collaborating with volunteers to promote the arts within the St Abbs and District community. Our aim will be to provide support and inspiration to as wide a demographic and range of abilities as possible. At the moment, our face-book page is all things gloriously beachy and seasidey. Please do add appropriately x

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This week reminded me all too poignantly of why our drive to exist and make in the most beautiful way we can should be so. I would like to dedicate this post to my  friend and an inspiring and talented potter Anna Merecedes Wear. Anna sadly lost her brave battle with cancer very recently and has left a lot of love and respect from the art community behind in her fabulous quirky, ceramic foxes and figures. It was Anna who not only shared apple and cinnamon cake on a Friday over a cup of tea with me, in those first few weeks at Art college, but took me under her wing and showed me the polite way of sticking your fingers up to having to do things by the book. She continued to create in her unique and wonderful style, making so many people smile and doing what most of us only dream of.. sticking to her guns. I feel proud to have known her and been helped by her stoicism and wisdom. Our thoughts are always with her lovely family.

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Seize the day and let someone help. Or get your books and crayons out. Who cares what happens. Poke your old school teacher memories in the eye and raise a glass. Find your tribe. You never know what you can do until you try.

Love, Your friend,

Liz xx